Dahl describes all this unredeemed viciousness with a spirited, malevolent glee that plays shamelessly, and no doubt...
The nasty streak that lurks in Dahl's stories for adults and children comes out with a vengeance in his characterization of Mr. and Mrs. Twit and the nasty tricks they play on one another.
Dahl's first sentence—"What a lot of hairy-faced men there are around nowadays"—might suggest that the manuscript has been sitting in a drawer for a decade; but if so it hasn't mellowed. Dahl will lose most reading-aloud adults straight off with his description of all the disgusting leftovers more or less permanently lodged in bathless Mr. Twit's beard. Ugly Mrs. Twit with her ugly thoughts is no more attractive. She puts her glass eye in her husband's beer glass and "cackles" (she would cackle) "I told you I was watching you. I've got eyes everywhere." He in turn puts a frog in her bed. She feeds him worms for spaghetti. He, borrowing an old ploy, gradually builds up her walking stick so she'll think she is shrinking. To cure her of the purported "shrinks" he subjects her to a stretching—which, however, backfires for him. Then Dalai turns to the birds, whom Mr. Twit catches for his pies by putting glue on their tree branches. The Twits also keep a family of monkeys they train to perform upside down. At last the birds and monkeys do in the Twits with an ingenious punishment that fits their crimes.
Dahl describes all this unredeemed viciousness with a spirited, malevolent glee that plays shamelessly, and no doubt successfully, to kids' malicious impulses and unmerciful sense of justice.Pub Date: March 1, 1981
ISBN: 014241039X
Page Count: 76
Publisher: Knopf
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: March 1, 1981
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BOOK TO SCREEN
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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