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WE MOSTLY COME OUT AT NIGHT

15 QUEER TALES OF MONSTERS, ANGELS & OTHER CREATURES

An uneven collection worthwhile for its strong queer-affirming stance and thought-provoking depictions of monsters.

Fifteen tales ranging in genre, tone, and setting are united through their inclusion of monsters and explorations of queerness.

Featuring a mix of new voices and well-known published YA authors (including Kalynn Bayron, David Bowles, and Sam J. Miller), this short story collection includes fantastic creatures varying from spooky to tenderhearted and from familiar to unique. Readers will encounter beasts, witches, shape-shifters, angels, trolls, and more. The human and humanoid characters are racially diverse, and a range of queer and trans identities are represented and affirmed. Sometimes the main character interacts with a monster, while in other tales the protagonist is the monster. Regardless, the characters often find that embracing what makes them different gives them power and peace. In most tales, the awareness, acknowledgment, and acceptance of queer identities is paramount. An editor’s note warns of content involving pain and trauma (the stories contain elements of homophobia and transphobia), but ultimately there’s hope in every story. Each tale opens with a striking illustration and ends with a short reflection from the author about monsters, some poignant and some inconsequential. The stand-out stories are emotionally gripping with fully realized characters and distinct settings, while a few feel underbaked and forgettable. Still, the collection as a whole is compelling and rich with fascinating beasties that provide new twists on monster lore.

An uneven collection worthwhile for its strong queer-affirming stance and thought-provoking depictions of monsters. (Anthology. 14-18)

Pub Date: May 21, 2024

ISBN: 9780762483198

Page Count: 384

Publisher: Running Press Kids

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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