Bombastic whiz-bang fun.
A former assassin fights to remain retired.
Mark is good at killing. After honing his skills as a Navy SEAL, he became an infamous hitman known as the Pale Horse, taking freelance gigs while also working for a clandestine deep-state organization dubbed the Agency. Then, last Christmas, something happened that caused him to quit cold turkey. Thanks to Assassins Anonymous, a support group designed to help people like him transition into a new way of life, Mark is just days away from receiving his one-year chip when a Mohawk-sporting Russian with prison tattoos jumps him, stabs him in the side, and flees. Mark manages to make it from the Lower East Side to the Bowery, where a black-market trauma surgeon named Astrid patches him up, but when he returns to his West Village apartment to retrieve the cash to pay her, he finds the place in flames. He ducks into his favorite local haunt to collect himself, only for the bartender to pass him a note from his Russian attacker that reads simply: SHE’S PRETTY. With Astrid now in danger, Mark has no choice but to bring her along on his desperate quest to uncover who wants him dead and why. Despite Mark’s insistence that “being an assassin is nothing like John Wick,” Hart’s latest wears its myriad cinematic influences on its sleeve. Escalating stakes and precisely choreographed action sequences keep the pages turning, but a slew of increasingly gonzo twists skew the tone toward camp—a vibe underscored by Mark’s droll yet angsty first-person-present narration. Though Hart often mistakes quirk for character development, the scenes Mark shares with his fellow recovering murder addicts impart some nice emotional resonance, helping to ground the tale and lend it heft.
Bombastic whiz-bang fun.Pub Date: June 11, 2024
ISBN: 9780593717394
Page Count: 320
Publisher: Putnam
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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