Part video game, part Sinclair Lewis, part Michael Crichton; it adds up to a terrific puzzle.
When does the line between utopia and dystopia begin to merge? When you owe your soul to the company store.
Hart (Take Out, 2019, etc.) is best known for his private eye novels about Ash McKenna and a novella co-written with James Patterson (Scott Free, 2017), but he’s tapped a real vein of the zeitgeist with this stand-alone thriller about the future of work that reads like a combination of Dave Eggers’ tech nightmare, The Circle (2013), the public’s basic impression of an Amazon fulfillment center, and Parzival’s infiltration of IOI in Ready Player One (2011). In the near future, following a series of mass murders at retail outlets, traditional commerce is dead. Every need has been ported over to Cloud, a worldwide fulfillment facility where anyone who wants to survive works—those who don't either give in eventually or are a customer—in something of a feudal society where algorithms decide your role. Cloud is the brainchild of Gibson Wells, a mad genius who is dying of pancreatic cancer but whose role in the story is assured by his broadcasts to his millions of employees. Our two leads are Paxton, a former prison guard whose entrepreneurial invention was co-opted by Cloud and who has reluctantly taken a security job with his enemy’s empire, and Zinnia, a secretive operative with deadly skills whose role on the product-picking floor is only a means to an end. While touching on income inequality, drug addiction, and corporate espionage, Hart creates a compelling and intriguing thriller that holds up a black mirror to our own frightening state of affairs. Hart dedicates the book to a real victim, Maria Fernandes, who worked part time at three different jobs and accidentally suffocated on gas fumes while sleeping in her car in 2014. That’s a profound inspiration, and Hart has written a hell of a prosecution of modern commerce and the nature of work, all contained in the matrix of a Cory Doctorow–esque postmodern thriller that might not turn out the way you hoped.
Part video game, part Sinclair Lewis, part Michael Crichton; it adds up to a terrific puzzle.Pub Date: Aug. 20, 2019
ISBN: 978-1-9848-2379-3
Page Count: 368
Publisher: Crown
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
