Storytelling and history, beautifully stitched together.
Learn the history of the NAMES Project AIDS Memorial Quilt stitch by stitch.
Cleve Jones, San Franciscan activist and mentee of Harvey Milk, is the central figure in an informative picture book that captures the history and tone of the era in which the AIDS Quilt grew. While in San Francisco, Cleve witnessed a mysterious illness that was sweeping through the gay male community, killing the majority of victims. On Nov. 27, 1985, Jones helped organize a march to remember recently assassinated politicians Milk and Mayor George Moscone. Cleve and a co-organizer handed out cardboard and markers, asking participants to write down names of friends who’d died of AIDS. The sight of these names taped to the walls of San Francisco’s Federal Building became the impetus for the quilt. Its story is beautifully captured in the book’s smooth pacing and brief paragraphs. Readers will follow its journey from that march as it becomes both a monument to mourning and a means of changing the stigma surrounding HIV and AIDS. The weighty backmatter, which includes discussion points, a glossary, timeline, biographies, and brief bibliography, will help educators and caregivers guide further learning. The racial diversity on display throughout the book is admirable; it’s a shame that diversity did not extend to body shapes as well. This quibble aside, the book is pretty darn impressive. (This book was reviewed digitally.)
Storytelling and history, beautifully stitched together. (Informational picture book. 9-12)Pub Date: Oct. 12, 2021
ISBN: 978-1-4338-3739-5
Page Count: 40
Publisher: Magination/American Psychological Association
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Bial (A Handful of Dirt, p. 299, etc.) conjures up ghostly images of the Wild West with atmospheric photos of weathered clapboard and a tally of evocative names: Tombstone, Deadwood, Goldfield, Progress, Calamity Jane, Wild Bill Hickock, the OK Corral. Tracing the life cycle of the estimated 30,000 ghost towns (nearly 1300 in Utah alone), he captures some echo of their bustling, rough-and-tumble past with passages from contemporary observers like Mark Twain: “If a man wanted a fight on his hands without any annoying delay, all he had to do was appear in public in a white shirt or stove-pipe hat, and he would be accommodated.” Among shots of run-down mining works, dusty, deserted streets, and dark eaves silhouetted against evening skies, Bial intersperses 19th-century photos and prints for contrast, plus an occasional portrait of a grizzled modern resident. He suggests another sort of resident too: “At night that plaintive hoo-hoo may be an owl nesting in a nearby saguaro cactus—or the moaning of a restless ghost up in the graveyard.” Children seeking a sense of this partly mythic time and place in American history, or just a delicious shiver, will linger over his tribute. (bibliography) (Nonfiction. 9-11)
Pub Date: Feb. 1, 2001
ISBN: 0-618-06557-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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