SERAFINA AND THE BLACK CLOAK

In this graphic-novel version of Beatty’s 2015 fantasy, mystery and magic place a spotlight on a feral bookworm who won’t back down.

Twelve-year-old Serafina lives with her father in the basement of the Biltmore Estate in 1899 Asheville, North Carolina. She is the unofficial Chief Rat Catcher by night and is otherwise hidden from the world. When a mysterious cloaked figure kidnaps a girl at the Biltmore, Serafina joins forces with young Braeden Vanderbilt, Mr. Vanderbilt’s nephew, to uncover the assailant’s identity and find the girl, along with other missing children. A scrappy fighter and resourceful sleuth, Serafina pieces together clues and observations—about both the strange figure and herself—while also becoming more social in the upper halls of the Biltmore. The artwork makes effective use of lighting and color to bring to life the shadowy basement, glowing upper manor floors, and sepia-toned flashbacks. The surrounding forest is a character unto itself, alternately inviting or threatening depending on the weather. However, the narration dominates many pages, leading to an abundance of telling over showing. Indeed, while the titular black cloak threatens to spirit Serafina and Braeden away, the black boxes containing the book’s narration are far more constricting, cluttering the page and distracting from the visuals. Serafina, Braeden, and most other characters present White.

A graphic-novel adaptation that could afford to lean more on its graphics.