Quite authentically Homer.
Emphasizing 19th-century American artist Winslow Homer’s life in Prouts Neck, Maine, this picture book explores Homer’s love of painting the ocean.
Winslow Homer was a successful American artist in his lifetime, and when he was 47, he left New York City to move to a southern Maine peninsula jutting out into the Atlantic Ocean. Here, in his converted carriage house/studio, he spent his time observing the sea and painting its moods. Rather than a biography, this book presents a contemplation on the fascination Homer felt for the Atlantic and the rocky shore—the inspiration for his well-known seascapes. Interspersing Homer’s actual words with imagined daily activities, Burleigh’s text brings readers into the artist’s sensibility and creative process. The watercolor-and-gouache illustrations (a medium that Homer also employed) stay within Homer’s palette in their color choices and are rendered in a loose, sketchy style. Both the style and the palette choice are effective creative decisions, delivering to the story a cumulative ambiance of an artist at work indoors and out, sketching, planning, seeing, and trying. Limiting the storyline to Homer in Prouts Neck effectively encapsulates Homer’s fascination with painting the sea while underscoring his dedication to his art. Extensive backmatter gives further detail about Homer’s life and travels, taking care to note his paintings that include African Americans (subjects not usually included in 19th-century American fine art).
Quite authentically Homer. (Informational picture book. 6-10)Pub Date: June 1, 2021
ISBN: 978-0-8234-4702-2
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Friends of these pollinators will be best served elsewhere.
This book is buzzing with trivia.
Follow a swarm of bees as they leave a beekeeper’s apiary in search of a new home. As the scout bees traverse the fields, readers are provided with a potpourri of facts and statements about bees. The information is scattered—much like the scout bees—and as a result, both the nominal plot and informational content are tissue-thin. There are some interesting facts throughout the book, but many pieces of trivia are too, well trivial, to prove useful. For example, as the bees travel, readers learn that “onion flowers are round and fluffy” and “fennel is a plant that is used in cooking.” Other facts are oversimplified and as a result are not accurate. For example, monofloral honey is defined as “made by bees who visit just one kind of flower” with no acknowledgment of the fact that bees may range widely, and swarm activity is described as a springtime event, when it can also occur in summer and early fall. The information in the book, such as species identification and measurement units, is directed toward British readers. The flat, thin-lined artwork does little to enhance the story, but an “I spy” game challenging readers to find a specific bee throughout is amusing.
Friends of these pollinators will be best served elsewhere. (Informational picture book. 8-10)Pub Date: May 18, 2021
ISBN: 978-0-500-65265-7
Page Count: 32
Publisher: Thames & Hudson
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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