by Robert Burleigh & illustrated by Robert Mackenzie ‧ RELEASE DATE: Sept. 1, 2008
During World War I, the U.S. Army relied on a flock of 600 carrier pigeons to send messages back to headquarters from troops in the field, and one, Cher Ami, became famous for saving the “Lost Battalion,” which had been trapped behind enemy lines. Unfortunately, this book doesn’t do the stirring story justice. The text relies on far too many exclamation points (“Dear Friend, go safely. Save us!”), which makes the action seem forced and melodramatic. While MacKenzie’s illustrations use color and line effectively to evoke the chaos of the battle scenes, the soldiers often look stiff. Worst yet, some of the most stirring historic details—that Cher Ami was badly injured on his Lost Battalion flight, but cared for by Army doctors and even given a prosthetic leg—are banished to the afterword. It is regrettable that these fascinating facts were not included in a work presented as a true story. Instead readers see an uninjured pigeon in a Disney-esque ending: “He had saved the soldiers! Sleep, Cher Ami, sleep!” (Picture book. 5-9)
Pub Date: Sept. 1, 2008
ISBN: 978-0-8109-7097-7
Page Count: 32
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
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by Robert Burleigh ; illustrated by Wendell Minor
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by Robert Burleigh ; illustrated by Wendell Minor
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by Robert Burleigh ; illustrated by Wendell Minor
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Cam Kendell
by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Barbara Cooney & illustrated by Loretta Krupinski
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adapted by Ruth Sawyer & illustrated by Barbara Cooney
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by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
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