A nostalgic, Depression-era nocturne for train lovers.
A passenger train travels to the city overnight in this rhyming picture book.
On a wordless opening page, a young rider, seated near their teddy, looks out the window as the train travels in the dark. The train (pulled by a Dreyfuss Hudson steam locomotive) takes off, and then rhythmic words chug along: “Train ride! / Bump-bump. / Chug-chug. Slow. / Faster. Faster. / Off we go.” The following double-page spread introduces the refrain: “Night train, night train, hold-on-tight train.” Burleigh replicates the initial meter on the next page as the rider takes in their surroundings. As with the other verses, the refrain changes slightly along with the scenery. The visual structure—two full-page panels bordered by white followed by a double-page spread—repeats in sync with the rhythm of the text. Together, the words and pictures help this train run smoothly. One by one, isolated colors (black, red, blue, etc.) pop into the night world, highlighted in the color of the type that spells out the color’s name and in some feature in the illustration. Some of the instances of color are quite subtle (for instance, the text’s “big blue window” is actually quite small, as it’s viewed from a distance), but, at the same time, such details add to the value of the nightscape. Minor’s black-and-white graphite illustrations intimately capture the shadows and shapes of the train’s night ride, ending in a beautiful full-color double-page spread as night turns to day and the ride is completed, the child and their mother, both white, alighting on the platform.
A nostalgic, Depression-era nocturne for train lovers. (illustrator’s note) (Picture book. 3-6)Pub Date: Oct. 9, 2018
ISBN: 978-1-58089-717-4
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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