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PAUL CÉZANNE

A PAINTER’S JOURNEY

Both biography and art criticism, this exploration of Cézanne features well-reproduced paintings, mostly excellent design and text that’s partly savvy and partly incomplete. The biographical aspect shows an appropriately un-romanticized Cézanne, crotchety and often unappreciated by critics. Burleigh’s art analysis shines when he points out the paintings’ brush strokes or compares a Cézanne piece to another artist’s rendition or a historical photo of the same scene. He astutely explains Cézanne’s groundbreaking use of several perspectives within one painting. However, Burleigh’s analysis doesn’t address Cézanne’s signature technique of pulling his subject matter to the front of the painting (flattening the scene and minimizing depth) and doesn’t give the artist enough credit for freeing subject matter from representationalism, both of which contributed invaluably to the birth of abstraction. But despite this, young art fans will be drawn to the beautiful paintings and fascinated by how Cézanne tinkers with perspective. An attractive, worthy contribution. (glossary, bibliography, author’s note) (Nonfiction. 9-12)

Pub Date: March 1, 2006

ISBN: 0-8109-5784-1

Page Count: 32

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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WISH I WAS A BALLER

A tighter focus would make this fascinating life story even more intriguing.

In this graphic memoir by sports journalist Shah, a ninth grader pursues his passion in the face of familial expectations pushing him toward a medical career, while also navigating the perils of high school social life.

It’s 1995, and Indian American Amar is desperate to meet the Chicago Bulls—Michael Jordan, in particular—when they stop by his Orlando, Florida, school. A lucky break leads him to his first sports interview, with Phil Jackson, and his tenacity takes him further, leading to multiple conversations with Shaquille O’Neal. But Amar’s luck in journalism doesn’t spill over to his relationship with his crush, blond Kasey Page (“like a mixture of Cameron Diaz, Tinkerbell, and heaven”), or his efforts to remain close with best friends Rohit and Cherian, who start spending more time with other classmates. The work relies on captions as much as plot developments to propel the story. It also follows a broad cast of characters—close and former friends, antagonists, supportive adults, and famous athletes—who appear in multiple storylines. The story accurately depicts the complexities of life as a young teen, though overlapping life challenges pull it in multiple directions, leaving some threads underexplored and hastily wrapped up. Doucet illustrates the characters using loose, disjointed outlines that give the artwork a sense of movement, and the colorful backgrounds use patterns and action lines to indicate a wide array of emotions.

A tighter focus would make this fascinating life story even more intriguing. (author’s note, photographs) (Graphic memoir. 9-12)

Pub Date: Aug. 5, 2025

ISBN: 9781546110514

Page Count: 304

Publisher: Graphix/Scholastic

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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HOW WE ARE SMART

Anchored by massive resource lists for adults in tiny type at the back, these 12 thumbnails attempt, not very successfully, to introduce to young or inexpert readers the idea of “multiple intelligences.” After suggesting that “smart” can mean more than scholastic excellence, the author proceeds to prove the opposite with a cast of professionals that mixes such non-household names as physicist/geologist Luis Alvarez, astronomer Annie Jump Cannon and botanist Ynés Mexía with the more familiar likes of Thurgood Marshall, Georgia O’Keeffe and I.M. Pei. Opposite stylized, expressionistic but still recognizable portraits from Qualls, he introduces each with roughly hewn, rap-style verses, followed by a single-paragraph career sketch. Though at the beginning he lists eight intelligences, such as “Body Smart,” “Logic Smart” and even “Nature Smart,” Nikola-Lisa never directly links any of them to his subjects; instead, he instructs readers to figure it out for themselves—without providing more than scattered, vague clues. It’s a worthy concept for creative types and other misfits to absorb, but the author doesn’t seem to understand it very well himself. (Collective biography. 9-12)

Pub Date: May 1, 2006

ISBN: 1-58430-254-2

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2006

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