by Robert Burleigh & illustrated by Ed Young ‧ RELEASE DATE: June 1, 2006
A gorgeously illustrated praise-song illuminates the yearnings and achievement of Tenzing Norgay, recently recovered from history as the Nepalese Sherpa who, along with Sir Edmund Hillary, conquered Mount Everest in 1953. Burleigh’s present-tense free-verse poem strings epithets together in Homeric fashion: “Tenzing Norgay, / Sherpa, / Mountain man, / Tiger of the snows . . . ” The effect is intense, the epithets giving way to clipped phrases that kaleidoscopically evoke the effort of climbing. The white-on-black text appears in appropriately vertical panels that frame Young’s spectacular pastels, his fuzzy lines alternately mimicking blowing snow or the parka-clad forms of the climbers themselves. The book’s landscape orientation gives breadth to the paintings, allowing a long-shot view of Everest, its bulk dwarfing the tiny smudged dots of a line of climbers in the foreground. A pre-dawn image of the last morning of the ascent places readers in a close-up behind Tenzing’s goggles, looking into Hillary’s uncannily lit face. The favor is returned at the top of the world, as Tenzing’s smiling face gazes into Hillary’s camera, the Himalayas spreading out in the background. A striking, inspiring tribute. (afterword) (Picture book/poetry. 7-10)
Pub Date: June 1, 2006
ISBN: 0-689-83042-4
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
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by Robert Burleigh ; illustrated by Wendell Minor
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by Gaylia Taylor & illustrated by Frank Morrison ‧ RELEASE DATE: April 1, 2006
Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2006
ISBN: 1-58430-255-0
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Victor Hinojosa & Coert Voorhees ; illustrated by Susan Guevara ‧ RELEASE DATE: July 7, 2020
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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