A road map for effective, well-considered policy.
Classical drama provides crucial lessons for policymakers.
Kaplan has had an impressive career: many years as a journalist reporting on the Middle East, author of numerous books on international affairs, and many years working in high-level think tanks. Consequently, it may seem strange that he begins this meditative narrative with an admission of a mistake that still haunts him. He saw the regime of Saddam Hussein firsthand and believed it was so awful that it had to be removed. Consequently, he supported the U.S. invasion, but the anarchy that followed, he admits, was even worse. This led him to the conclusion that order, even that imposed by dictators, was preferable to chaos in all but a few extreme cases. Kaplan suggests that presidents and policymakers should look to Greek classical dramas and Shakespeare’s plays to understand the importance of considering the consequences of actions and the limits of power. The tragic mind, in this sense, is one that is aware of itself and of the contrariness of human events. He cites George H.W. Bush as the last president with this sort of depth. After him, presidents have been quick to send troops to one hot spot or another, always with good intentions but with little in the way of positive outcomes. Military involvement should be a last resort, used only as a response to true evil, such as the Nazi regime. In fact, the author notes that the idea of evil has been devalued through overuse. “Every villain is not Hitler,” he writes, “and every year is not 1939….Passion should not be allowed to distort analysis, even as social media does exactly that.” Kaplan can often sound pompous and old-fashioned (not a new criticism), but the advice that military actions should be carefully thought through, and then thought through again, should be heeded by anyone who contributes to making life-and-death decisions.
A road map for effective, well-considered policy.Pub Date: Jan. 17, 2023
ISBN: 978-0-300-26386-2
Page Count: 152
Publisher: Yale Univ.
Review Posted Online: Sept. 20, 2022
Kirkus Reviews Issue: Oct. 15, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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