The gripping, true story of a 15-year-old Iowan who ventured out into a wild storm to give warning of a wrecked railroad bridge. A vivid, exciting narrative is matched to an equally compelling sequence of oilsGinsburg's peaceful, sunlit landscapes darken threateningly as the storm arrives, and, whether leaning into the wind or crawling over a trestle only a few feet above churning floodwaters, Kate's sturdy figure is the very image of an ordinary person rising to face extraordinary circumstances. Her act saved lives, very nearly at the cost of her own, and, as San Souci (Donkey Ears, 1994, etc.) explains in an afterword, earned her a special place in the hearts and lore of railroad workers. A fine alternative to Margaret Wetterer's stiffer, simpler (but no less dramatic) Kate Shelley and the Midnight Express (1990). (Picture book/nonfiction. 8-11)
Pub Date: Sept. 1, 1995
ISBN: 0-8037-1289-8
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
PLB 0-06-027821-8 For Aliki (Marianthe’s Story, 1998, etc.), the story of the Globe Theatre is a tale of two men: Shakespeare, who made it famous, and Sam Wanamaker, the driving force behind its modern rebuilding. Decorating margins with verbal and floral garlands, Aliki creates a cascade of landscapes, crowd scenes, diminutive portraits, and sequential views, all done with her trademark warmth and delicacy of line, allowing viewers to glimpse Elizabethan life and theater, historical sites that still stand, and the raising of the new Globe near the ashes of the old. She finishes with a play list, and a generous helping of Shakespearean coinages. Though the level of information doesn’t reach that of Diane Stanley’s Bard of Avon (1992), this makes a serviceable introduction to Shakespeare’s times while creating a link between those times and the present; further tempt young readers for whom the play’s the thing with Marcia Williams’s Tales From Shakespeare (1998). (Picture book/nonfiction. 7-10)
Pub Date: May 31, 1999
ISBN: 0-06-027820-X
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
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