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LET EVERY NATION KNOW

Useful for students of presidential history, and worthy of emulation: a selected Ford, anyone?

Excerpts of selected speeches, interviews and debates delivered by the last president (but one) not to speak from note cards or in sound bites; packaged with an audio CD.

John Fitzgerald Kennedy, avow presidential historian Dallek (Flawed Giant, 1998) and New York Observer columnist Golway (Washington’s General, 2005), “spoke in literate paragraphs, and his speeches were filled with references to history and literature that have all but disappeared from American political discourse.” Indeed, Ronald Reagan borrowed the “city on a hill” trope, unacknowledged, from Kennedy, who took it from the early American Protestant religious dissenter John Winthrop; it always sounded a little foreign on Reagan’s lips, but Kennedy—though, famously, the first and only Catholic president—naturally took to the rhetoric of Boston’s Brahmins. Dallek and Golway, for their part, acknowledge that Kennedy had speechwriters aplenty, notably the brilliant Theodore Sorensen, who wrote much of Kennedy’s Profiles in Courage; regrettably, they do not go on to distinguish which of his aides concocted which New Frontier theme. The help notwithstanding, Kennedy did his homework, was smart and hardworking and gave a resounding speech. As Dallek and Golway remark on the best of his public utterances, they offer illuminations and remember little-known episodes. The third presidential debate with Richard Nixon featured Nixon tsk-tsking Harry Truman for using words like “hell” and “damn,” saying that he’d never allow such language in his White House. (The irony, the irony.) The debates were followed by the narrowest election in history, they note, but not so narrow as Nixon protested; even if Nixon had won the supposedly rigged Illinois vote, Kennedy would have carried the Electoral College. And Kennedy berated himself over the Bay of Pigs disaster, which only seemed to increase the esteem his compatriots felt: “It’s like Eisenhower,” he said. “The worse I do, the more popular I get.”

Useful for students of presidential history, and worthy of emulation: a selected Ford, anyone?

Pub Date: April 17, 2006

ISBN: 1-4022-0647-X

Page Count: 288

Publisher: Sourcebooks

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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