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THE OUTER BEACH

A THOUSAND-MILE WALK ON CAPE COD'S ATLANTIC SHORE

Vivid and graceful reflections on water and wind, shifting sands, and the inevitability of change.

Lyrical reflections, natural history, and nuggets of wisdom inspired by walks at the shore.

In 40 years of walking along Cape Cod’s Outer Beach, Finch (Cape Cod Notebook 2, 2016, etc.) estimates that he has covered 1,000 miles, rambles that have informed nine previous books. In his latest collection, he chronicles his beach walking from south to north along the Cape’s 40-mile stretch of glacial bluffs, barrier beach, and islands. The author chose John Keats’ remark, “Description is always bad,” as an epigraph for the book, but that comment surely does not apply to the precision and sheer loveliness of Finch’s prose. One night, walking through fog, he could barely see the surf but suddenly smelled the ocean, “rich, salt spiced, redolent of fecundity and decay.” Under moonlight, the waves “came in silhouette, low black forms, like great fish swirling in on the moon-crusted surface of the sea.” Like the surfers he enjoys watching, Finch has learned to read waves, “each with its own distinct shape, height, alignment, speed, curl.” Each wave “speaks its own watery sentence, which the surfer has to parse.” The author reflects often on change and time. “The more mobile we become,” he suggests, “the more immobile we demand nature to be.” But the shore is in constant, repetitive flux: “The Cape’s outer shores are a solid metaphor for the river of time, into which we can step only once.” Finch once brought a distraught friend to the shore, hoping to help him discover “the need to adapt continually to change, always to be watching for undertows and rogue waves, to dance nimbly along its edges.” His friend returned to the solidity of hills; Finch found “solace and reassurance from the beach.” Even without the possible rise in sea level because of climate change, scientists estimate that the Cape will be eroded in 6,000 years. Nature, Finch knows, is more powerful than human intervention, and it is this power than enthralls him.

Vivid and graceful reflections on water and wind, shifting sands, and the inevitability of change.

Pub Date: May 9, 2017

ISBN: 978-0-393-08130-5

Page Count: 336

Publisher: Norton

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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