by Robert G. Parkinson ‧ RELEASE DATE: May 10, 2021
A knowledgeable, disturbing presentation of the prominent role of racism in the years of the nation’s birth.
A sobering argument that American independence was gained principally after Colonial leaders purposefully “weaponized” prejudices against African Americans and Native peoples.
As Parkinson notes at the beginning, this book is a distillation and revision of his much longer book, The Common Cause (2016), and it features a “new introduction and conclusion and new material exploring all the myriad problems patriot leaders faced when they began the nearly impossible task of constructing a durable union in the 1770s.” Using rarely studied Colonial newspaper evidence, the author reveals how fear as much as idealism drove American colonists to independence. It was because of their shared conviction that the British were preparing to use non-White people against them that, Parkinson argues in John Adams’ words, “thirteen clocks were made to strike together.” The author convincingly demonstrates how Colonial anxieties emerged immediately after the 1775 Battles of Lexington and Concord and, only 15 months later, made their way into the Declaration of Independence, which described “merciless Indian savages,” “foreign Mercenaries,” and “domestic insurrectionists.” Colonial leaders didn’t create these fears; instead, they stoked long-existing ones to unite the Colonies in their unprecedented drive for political freedom. Then they structured post-Revolution constitutions to prevent the incorporation of Blacks and Natives into the population as citizens. Parkinson pulls no punches. “When the war was won,” he writes, “the so-called ‘founding fathers’ wanted the ‘candid world’ to believe that only the first paragraphs of the Declaration—with the lofty sentiments of self-evident truths and inalienable rights—animated the colonists’ fight for liberty….What they wanted us to forget—and we largely have—was that the drive to have thirteen colonial clocks strike as one was also a campaign stamped by the vicious, the confining, and the destructive.” While omitting other factors, the author makes a strong case for the soiled origins of the U.S.
A knowledgeable, disturbing presentation of the prominent role of racism in the years of the nation’s birth.Pub Date: May 10, 2021
ISBN: 978-1-4696-6257-2
Page Count: 264
Publisher: Univ. of North Carolina
Review Posted Online: Feb. 15, 2021
Kirkus Reviews Issue: March 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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