by Robert Greenfield ‧ RELEASE DATE: May 13, 2014
Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful...
A rock journalist mines the same vein for the third time, parlaying his brief access to the Rolling Stones into a short book that reads more like an annotated magazine article.
Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful People, and the End of the Sixties, 2009, etc.) enjoyed exclusive access to the Stones’ farewell tour of Britain, before tax issues (and drug laws) sent the band on self-imposed exile. Such access would be impossible to imagine today, and perhaps the main value of this book, written 40 years after the fact but expanding on a feature that he filed for the magazine at the time, is the difference between the rock life then and now. The Stones could actually move about without causing riots when they were recognized, and a journalist could just hang around without anyone questioning his presence. The author had never seen the Stones perform before 1970 and has never seen them again in concert since 1972, so his window of experience is narrow, though his insights into the relationship between Mick Jagger and Keith Richards remain valid (if familiar). That 1971 tour found Jagger courting his future wife, Bianca, (a marriage that the author asserts “put the final nail in the coffin of the personal relationship between Mick and Keith”) and Richards out of control (and rarely on time) with heroin. The account provides a short companion piece to the book Greenfield wrote with greater detail, but less exclusivity, on the Stones’ subsequent tour of the United States (S.T.P., 1974).Pub Date: May 13, 2014
ISBN: 978-0-306-82312-1
Page Count: 216
Publisher: Da Capo
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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