Essential for Deadheads but also an engaging cultural portrait for anyone interested in the era.
The high life and low times of the original Acid King.
Augustus Owsley Stanley III (1935-2011), aka “Bear,” may not be a widely known counterculture figure, but the 1960s wouldn’t have been the same without him. He was Walter White without all the moral conflict or drama, a trailblazing alchemist who mass-produced LSD and made millions before anyone thought to make it illegal. As presented by prolific rock scribe Greenfield (Ain't It Time We Said Goodbye: The Rolling Stones on the Road to Exile, 2014, etc.) in this amiable life story, Stanley was the kind of peripatetic loser who flunked out at everything but drugs. Once he discovered the hallucinogen, he drew on his jack-of-all-trades skills and the expertise of his chemist girlfriend to produce it in large quantities. The result was a product known for both its intensity and purity; as Steely Dan would later sing of Stanley, “on the hill, the stuff was laced with kerosene / But yours was kitchen clean.” Stanley thought of himself as a gourmet chef, a “master of fine mental cuisine.” He would also become the key backstage figure for the Grateful Dead, whom he helped bankroll in their early days, as well as becoming their legendary recording engineer. Greenfield recounts Stanley’s life with an ample amount of interviews from his subject as well as family members and the surviving members of the Dead; all remember a generally likable, if frustrating and paranoid, control freak. As a subject, Bear remains interesting long after his era has passed, although the book loses some energy toward the end, as Greenfield describes the quotidian details of the day leading up to Bear’s fatal 2011 car wreck.
Essential for Deadheads but also an engaging cultural portrait for anyone interested in the era.Pub Date: Nov. 15, 2016
ISBN: 978-1-250-08121-6
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: Sept. 7, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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