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DICTATOR

Unfortunately for Cicero, his assessment of Octavian—“he’s a nice boy, and I hope he survives, but he’s no Caesar”—proves...

Set during the last gasp of the Roman Republic, the final volume of Harris’ Cicero trilogy chronicles the great Roman statesman’s fateful encounters with both Julius and Augustus Caesar.

Harris has written smart, gripping thrillers with settings as varied as England during World War II (Enigma, 1995) and the contemporary world of international finance (The Fear Index, 2012), but his Cicero novels are more akin to Hilary Mantel’s Wolf Hall in their subjects—men of towering intellect and humanity—and in their visceral evocation of history. The first two books, Imperium and Conspirata, recounted events familiar only to classical history buffs—Cicero’s rise from relative obscurity to become one of Rome’s leading lawyers, orators, and writers and, in 63 B.C.E., getting the top job, consul. This third book starts with his exile after running afoul of Julius Caesar, the brilliant general whose dangerous ambition Cicero alone seems to grasp. The plot hurtles toward the most famous incident in all of Roman history—the assassination of Caesar. Cicero is not involved in the plot, but he assumes a major role in its aftermath as Mark Antony, an enemy, and Octavian (later Augustus), a young friend who is also Caesar’s adopted son, vie for leadership of the empire. The book is charming as well as engrossing, largely due to the immensely likable person of Cicero, who is wise but not pedantic, moral but not sanctimonious, courageous but wary of the grandstanding of the martyr. In Harris’ hands, the other principle actors emerge fully rounded: Cato, the uncompromising stoic; Pompey, brave but vainglorious; Crassus, greedy and self-serving; Brutus, whom Cicero feared “may have been educated out of his wits”; Julius Caesar, whose “success had made him vain, and his vanity had devoured his reason”; and Mark Antony, who “has all of Caesar’s worst qualities and none of his best.”

Unfortunately for Cicero, his assessment of Octavian—“he’s a nice boy, and I hope he survives, but he’s no Caesar”—proves fatally wrong.

Pub Date: Jan. 12, 2016

ISBN: 978-0-307-95794-8

Page Count: 416

Publisher: Knopf

Review Posted Online: Nov. 17, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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