Very slick, rather tense, sophisticated and amusing.
Big money lures a professional ghostwriter into a rush job—rewriting the memoirs of the former British prime minister in a month. By the way, the last guy on the job may have been murdered.
Harris (Imperium, 2006, etc.) returns with an amusing, fast-paced thriller that inserts a non-political writer into the life of an out-of-office but still controversial British politician, Adam Lang, who bears a marked resemblance to Tony Blair. Purely coincidental, of course. The narrator is a ghostwriter who, teasingly, is never named. He’s made a living turning the semi-reliable memories of a wide range of celebrities into readable “autobiographies,” a highly specialized career that, with his Cambridge education, makes him the right man to earn $250,000 turning the turgid draft of Lang’s memoirs into something someone would actually want to read. The publisher, having advanced $10,000,000 and committed to a publication date one month hence, is desperate. Lang’s longtime political assistant wrote the wretched draft after much research, but either flung himself or was flung from the ferry to Martha’s Vineyard, where the ex-PM is holed up with wife and staff in the publisher’s cottage until the book is fixed. Just as the writer is getting a grasp on the work, Lang is charged by the World Court with war crimes for a deed he may have committed on behalf of the Yanks, who are still bogged down in Iraq. It’s the perfect hook for the rewrite, but the charge puts the household in a world-class dither. And it sends the writer deeper into Lang’s past. The more he learns, the less he likes Lang’s long involvement with the Americans, a relationship that cooked him politically in Britain. And the less he comes to trust Lang’s official memories. When he stumbles on materials collected by his late predecessor, it becomes clear that the dead biographer learned far too much about the politician—information that threatens everybody, including the ghostwriter.
Very slick, rather tense, sophisticated and amusing.Pub Date: Oct. 23, 2007
ISBN: 978-1-4165-5181-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2007
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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