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V2

A short, enjoyable thriller with plenty of well-researched historical nuggets.

A veteran historical novelist homes in on one of Hitler’s last desperate hopes.

In 1944, the Nazis know they're losing the war. They’d developed the V1, a pilotless drone bomb its targets could hear coming, and now its successor, which strikes without warning. The Nazis call it Vergeltungswaffen Zwei, Vengeance Weapon Two. The V2 rockets are notoriously unreliable, though. Although they're aimed at Charing Cross Station in the heart of London, any strike within five miles is considered a success. Many hit English neighborhoods, killing dozens of civilians, while others explode at launch or veer off into the sea. Chapters of the novel alternate between the two sides, specifically between German engineers and British intelligence. Twenty-four-year-old intelligence analyst Kay Caton-Walsh is in a married man’s bed and survives a direct hit as floors of the building collapse around her. A half dozen people are killed and almost 300 injured. Meanwhile, German engineers work furiously to prepare missiles for launch from Belgium. Despite severe technical problems, they are under great pressure to produce the weapons in the thousands and rush them into service. The story has plenty of interesting details—for example, the bulk of Germany’s potato crop that year had been requisitioned to be distilled into alcohol for use as rocket fuel. British radar can spot the V2s in flight, but “where exactly were they coming from? That was the mystery.” If only the Brits could look at a rocket’s parabola and calculate its point of origin....Caton-Walsh volunteers to help find out: “I’m good at maths. I know how to use a slide rule.” She joins a team of women working on the problem. Readers may recognize Germany’s main rocket engineer, Wernher von Braun. Though he shows necessary fealty to the Nazi cause, his secret dream is to send a rocket to the moon. And if he has to do that from America, that’s another story.

A short, enjoyable thriller with plenty of well-researched historical nuggets.

Pub Date: Nov. 17, 2020

ISBN: 978-0-525-65671-5

Page Count: 384

Publisher: Knopf

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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