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A DROP OF CORRUPTION

A grand entertainment, as ever with Bennett’s richly imaginative yarns.

Things are not what they seem in a place where leviathans roam the land and plots against the empire flourish.

Part fantasy, part procedural, the second installment in Bennett’s Shadow of the Leviathan series—following The Tainted Cup (2024)—finds Dinios Kol, the much put upon assistant to investigator Ana Dolabra (rhymes with abracadabra), investigating a murder on the far edges of the Empire of Khanum. Ana is “a woman so brilliant [that] she lives most of her days blindfolded and rarely leaves her rooms, for fear that common life shall overwhelm her mind.” That leaves it up to Din to try to piece together what happened to an unfortunate servant of the empire whose body is turning up in bits and pieces—understandable, perhaps, since the man worked for the tax division of the imperial treasury, “here to confer with the king of Yarrow on high imperial business,” as a local flatfoot, Malo, tells him. It’s a grisly affair, all severed hands and disembowelment, “as if all the organs had been scooped out by a giant spoon,” and Din has a sensitive tummy. That drop of corruption in the title has nothing to do with the fact that when Ana arrives on the scene she feasts on a pile of raw shellfish. No, the corruption has to do with the ability of the Empire’s folks to alter bodies with all manner of tools and potions and such, and when they concoct a plan to inject “ossuary moss” into bone marrow to keep Din and his fellow “engravers” from going bonkers, Ana’s antennae go up—and even more so when the aforementioned king turns up “dead as a fucking boiled scallop.” Red herrings—some in various stages of rot—abound as Ana, Din, and Malo sort out all the nefarious doings.

A grand entertainment, as ever with Bennett’s richly imaginative yarns.

Pub Date: April 1, 2025

ISBN: 9780593723821

Page Count: 480

Publisher: Del Rey

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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