A DROP OF CORRUPTION

Things are not what they seem in a place where leviathans roam the land and plots against the empire flourish.

Part fantasy, part procedural, the second installment in Bennett’s Shadow of the Leviathan series—following The Tainted Cup (2024)—finds Dinios Kol, the much put upon assistant to investigator Ana Dolabra (rhymes with abracadabra), investigating a murder on the far edges of the Empire of Khanum. Ana is “a woman so brilliant [that] she lives most of her days blindfolded and rarely leaves her rooms, for fear that common life shall overwhelm her mind.” That leaves it up to Din to try to piece together what happened to an unfortunate servant of the empire whose body is turning up in bits and pieces—understandable, perhaps, since the man worked for the tax division of the imperial treasury, “here to confer with the king of Yarrow on high imperial business,” as a local flatfoot, Malo, tells him. It’s a grisly affair, all severed hands and disembowelment, “as if all the organs had been scooped out by a giant spoon,” and Din has a sensitive tummy. That drop of corruption in the title has nothing to do with the fact that when Ana arrives on the scene she feasts on a pile of raw shellfish. No, the corruption has to do with the ability of the Empire’s folks to alter bodies with all manner of tools and potions and such, and when they concoct a plan to inject “ossuary moss” into bone marrow to keep Din and his fellow “engravers” from going bonkers, Ana’s antennae go up—and even more so when the aforementioned king turns up “dead as a fucking boiled scallop.” Red herrings—some in various stages of rot—abound as Ana, Din, and Malo sort out all the nefarious doings.

A grand entertainment, as ever with Bennett’s richly imaginative yarns.