Next book

RUDOLPH THE RED-NOSED REINDEER

Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look...

The original 1939 story about a reindeer with a noteworthy nose serves as the text of this lavishly illustrated, oversize interpretation of Rudolph’s place in Christmas lore.

The cover illustration draws readers in to the story with an evocative view of Rudolph and the reindeer team pulling Santa and his sleigh through an azure sky. The paper used for the cover has a mottled, opalescent shine which, along with hazy swirls and shimmering bubbles, suggests the magical nature of flying reindeer and Santa himself. This use of glowing illumination to set a mysterious tone is repeated when Rudolph peeks into Santa’s toy sack during the Christmas Eve toy delivery, with radiant light emanating from the reindeer’s rosy nose, as it does on nearly every page. The 75-year-old rhyming story is a little too long and a little too singsong, with some of the phraseology a trifle dated for today’s children and some of the rhyming word pairs struggling to fit the meter. However, there is no other full-sized version of this original story of Rudolph with contemporary illustrations currently in print; most picture-book versions are based on the alternate television version of Rudolph’s story. (A new edition of this interpretation, retold by Thea Feldman, also publishes in 2014.)

Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look at the reindeer that triumphs over rejection and a seeming disability may be a new holiday classic. (Picture book. 4-8)

Pub Date: Sept. 30, 2014

ISBN: 978-1-4424-7495-6

Page Count: 40

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

Next book

HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Next book

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Close Quickview