by Robert Louis Stevenson edited by Simon Barker-Benfield illustrated by Louis Rhead ‧ RELEASE DATE: Oct. 7, 2014
A sumptuous edition of a masterpiece that will captivate both youngsters and older fans interested in the history and lore...
The classic tale of pirates and their buried loot is enriched with explanatory footnotes, diagrams and illustrations in this fascinating annotated edition.
First published in 1883, Stevenson’s Treasure Island narrates the adventures of Jim Hawkins, an English teenager who in the 1750s discovers a map to a fabulous pirate treasure buried on a desert island; the ensuing voyage embroils him in a mutiny, fierce musket-and-cutlass fights and a twisty relationship with the pirate Long John Silver, a charismatic figure of noble courage and dastardly treachery. Featuring taut suspense, brisk action, an iconic coming-of-age theme and colorful characters, Treasure Island became the template for later genre pieces such as Pirates of the Caribbean. Barker-Benfield’s engaging introduction and comprehensive margin notes and sidebars explain many of the story’s details to an audience less familiar with age-of-sail conventions. Much of the narrative hinges on the handling of sailing ships, and he provides detailed, interesting accounts of their construction, rigging, navigation, protocols and jargon, which help explicate important plot points. He also delves into the evolving culture of the early-modern Atlantic-Caribbean region and the history, lifestyles and indispensable accouterments of pirates: Silver’s loquacious parrot is probably an African gray, we learn, while the refrain “yo ho ho, and a bottle of rum” prompts a disquisition on that beverage’s production and neurological effects. Intriguing conundrums and inconsistencies in the text are teased out; latitude and longitude figures put Treasure Island at one of four improbably cold locales, the author notes, while Silver’s life history makes his claimed age of 50 years a tad optimistic. Throughout, Barker-Benfield’s notes adroitly translate the richer flights of buccaneer lingo into respectable English. (“I’m a poor old hulk on a lee shore” is a pirate’s “dramatic way of saying he is nearing the end of his life.”) There are also detailed maps of the Caribbean, reproductions of portraits of real-life pirates and sea captains and meticulously detailed diagrams of ships, cannons and nautical equipment; these, along with Rhead’s atmospheric drawings of scenes from the story, add an exquisite visual dimension to the original text.
A sumptuous edition of a masterpiece that will captivate both youngsters and older fans interested in the history and lore underpinning Stevenson’s yarn.Pub Date: Oct. 7, 2014
ISBN: 978-1937075019
Page Count: 304
Publisher: Fine & Kahn
Review Posted Online: Aug. 18, 2014
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Han Kang ; translated by Deborah Smith & Emily Yae Won
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by Han Kang translated by Deborah Smith
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