“It was the horses that held my heart. . . . It was worship.” Tullis Yoder loves horses. A lowly member of the Big Bubb Stampede, a ragged horse show in 1939 Chickalookie, Florida, Tullis is enamored with the life and characters of the almost-rodeo. The chief brag and comic symbol of the show is Big Bubb Nilbut, America’s Biggest Cowboy, weighing in at 500 pounds and riding a Clydesdale horse. When the boss, Mr. Judah St. Jude, gives Tullis a chance to live out his dream and be a bulltopper—trying to go eight seconds atop a bad bull named Gutbuster—Tullis falls a few seconds short and loses half of his right hand. When Big Bubb takes a thunderous tumble off of Clyde and breaks his neck, the show disbands, and Tullis’s beloved horses are destined to be “trucked to a slaughtery, hit in the head by a sledgehammer, and minced into pet meal.” Obviously, Tullis cannot let this be, and the rest of the story becomes a romp, with larger-than-life characters and slapstick action as the 13 horses are rescued and taken on a pilgrimage to safety. Tullis’s scenes are told in first person, the others in third, and the transitions are at times jarring. The best scenes are of Tullis and his attempts at bulltopping glory. Peck’s prose is lively and lavish, with a gift for the humorous image: “The sheriff felt the political image slowly melt off his face and run down his shirtfront. Like spilled supper.” A nobody at the beginning of the story, Tullis is, by the end, a hero, and readers will enjoy following his madcap route to glory. (Fiction. 12+)
Pub Date: June 1, 2002
ISBN: 0-06-623791-2
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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