by Robert Pensack & Dwight Williams ‧ RELEASE DATE: Sept. 15, 1994
The haunting story of a man's struggle to survive with a terribly damaged heart. As a youngster, Pensack was diagnosed with hypertrophic cardiomyopathy, a progressive disease of the heart muscle and a condition that had killed his mother when he was only five. Assisted here by Williams, a skilled writer, Pensack reveals how his condition has shaped his life from the day of his mother's death to his recent heart transplant at the age of 42. Opening with a harrowing scene in which he very nearly died on his kitchen floor in front of his own three-year-old son, Pensack's story is given immediacy by being told in the first person and the present tense, and it is given impact by the frankness with which he shares the intimate details of the trauma he suffered not only in body but in spirit. As a young man, he imagined that if he could become a doctor he would somehow be able to cure himself, and he set about learning everything he could about his heart condition. In medical school, however, he found himself identifying not with doctors but with corpses and patients. His repeated brushes with death unhinged him emotionally, leaving him at times terrified, isolated, out of touch with reality, and virtually unable to function. Pensack recounts how he eventually came to recognize the symptoms of post-traumatic-stress disorder and to understand that, for him, a particularly severe level of stress would always be a fact of life. When he finally did become a doctor, he chose not cardiology but psychiatry. Pensack's story is filled with vivid descriptions of clinical procedures performed on his body, but more memorable is what he reveals about how living close to death affects the mind. Packs a powerful punch.
Pub Date: Sept. 15, 1994
ISBN: 0-399-14001-8
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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