Revolutionary time-travel tales, if you can overlook the fossilized characters.
A career-spanning collection of time-travel tales from Silverberg, the 2003 Grand Master of the Science Fiction & Fantasy Writers of America.
Silverberg has compiled his favorite time-travel stories published between 1955 and 2007, and in it, he seemingly leaves no “what if?” unanswered. “Needle in a Timestack,” first published in Playboy in 1983, engagingly explores what could happen if the past were altered and people could, at least for a few hours, remember their lives before everything changed. “Against the Current,” from a 2007 issue of the magazine Fantasy & Science Fiction, asks what would happen if a man simply became unmoored from time and began to inexplicably drift into the past. The 1983 novella Homefaring (arguably the most thought-provoking and compelling story in the bunch) asks what would happen if a time traveler catapulted millions of years into the future—so far that humans were extinct? And what if, when he arrives, he found that the dominant species on Earth is…lobsters? Most of the entries, Silverberg notes, were written at the direct request of an editor, and he prefaces each with a brief anecdote, often about the editors themselves. There is, however, one disappointing aspect to the collection: Although the stories zip between bygone times and far-flung futures, the characters remain firmly rooted in the mores of the 20th century. Virtually every main character is a man, and most women are capricious girls or bitchy, unfaithful wives—scarcely more than things to be ogled, fought over, or, in one disturbing scene in “Jennifer’s Lover,” to have definitely-not-consensual sex with. (The latter was published in a 1982 issue of Penthouse.) The quality of the rest of his work is nearly enough to overcome these failings, though, leaving readers to hope that perhaps Silverberg curtails his victory lap and writes just a few more stories for this century.
Revolutionary time-travel tales, if you can overlook the fossilized characters.Pub Date: Nov. 6, 2018
ISBN: 978-1-94111072-0
Page Count: 490
Publisher: Three Rooms Press
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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