This graceful, astute, fin-de-siäcle tale, first published in France in 1996, of a boisterous Egyptian photographer and the young artist he marries—who becomes, before his eyes, the most famous photographer of her day—marks an auspicious US debut for journalist SolÇ. It’s 1891 when Milo Touta—on a beach near Alexandria for his summer vacation—catches a glimpse of lovely Dora as she’s painting, her feet daringly bare in the sand, and he falls in love. Captivated by his giddy mix of exuberance and gentleness, Dora falls for him too, although she cares little for his profession. Marriage brings them both happiness, and Dora, by watching Milo at work in his Cairo studio, gains an insider’s view of photography that quickly causes her to rethink her dismissal of it. She patiently learns the craft, both behind the camera and in the darkroom. Working side by side, conceiving and raising three daughters, the couple’s blissful state continues—even as Dora starts being widely known in her own right as a portrait photographer. Amid swirling currents of Egyptian nationalism and British empire-building, they prosper enormously through the combination of Dora’s unerring ability to find the essence of any visage presenting itself in her viewfinder and Milo’s charm and good business sense. Only when Dora is called to photograph the Egyptian head of state, and later his British “handler,” and Milo realizes that his wife has truly replaced him as photographer, does he lash out in despair. Overnight, Dora leaves him and their daughters, going on an assignment to faraway Khartoum, which the British have recently retaken in a bloody assault. There, she continues to enhance her reputation as an artist and as a woman ahead of her time, even though her joy is back in Cairo with the man who won her heart. Packed with period detail and fine touches of emotion, a strikingly smooth and heartwarming story from first to last.
Pub Date: Nov. 1, 1999
ISBN: 1-86046-549-8
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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