by Robert Sullivan ‧ RELEASE DATE: July 1, 2006
A dazzling account of America’s most archetypal odyssey, with much social history slyly and wryly inserted.
Rollicking, ironic chronicle of a family car trip from Oregon to New York, interlaced with stories about previous trips, Lewis and Clark, Jack Kerouac, varieties of coffee lids, and . . . well, see the subtitle.
Sullivan, who seems to specialize in quirky, uncategorize-able subjects (Rats, 2004, etc.), takes us on a journey that’s sentimental but also literate, literary, amusing, informative, wicked, self-deprecating and deeply entertaining. Beginning with the observation that the so-called “real America” does not necessarily appear only along the blue highways, he restricts himself (mostly) to the interstates, whose history he relates along the way. He details his preparations (he used AAA TripTiks), the stops he made (he golfed in Montana and examined Geese in Flight, a huge roadside sculpture in North Dakota), the thoughts he had, the interactions with his wife, son and daughter. The text is intentionally and effectively digressive as the author takes myriad detours. One notable example: Sullivan gives us a full account of a previous, horrible cross-country trip in a rented moving van—it misbehaved, then broke down—but he thin-slices the story and inserts pieces of it throughout the narrative. In similar fashion, we also learn about the history of cross-country highways, motels, fast food (Sullivan seems especially interested in the Kum & Go chain), service stations that no longer offer service, the Cannonball Run, the varieties of roadside coffee. We hear about the genesis of guidebooks and how FDR helped design a portion of the Taconic Parkway. We ride along for a bit with Emily Post, who wrote a book about cross-country travel in 1916; we learn that approximately 1.5 million deer are hit by cars each year. Sullivan occasionally offers photocopies of his amusing diary pages and crude but evocative drawings.
A dazzling account of America’s most archetypal odyssey, with much social history slyly and wryly inserted.Pub Date: July 1, 2006
ISBN: 1-58234-527-9
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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