Next book

CHRISTMAS SPIRIT

Set in grimy Depression-era industrial cities in northern England, these two holiday tales from a veteran British writer (The Stones of Muncaster Cathedral, 1993, etc.) give young readers something to really cut their teeth on. In ``The Christmas Ghost,'' a young boy receives a warning from a ghost on Christmas Eve that helps him prevent a tragic accident at his father's factory. (The ghost—the plant's late owner, a good- hearted Jewish industrialist—happens to look just like Santa Claus, an intended irony on Westall's part.) The second story, ``The Christmas Cat,'' is narrated by a spunky girl spending a dreary Christmas vacation with her bachelor uncle, an Anglican vicar, and his stern housekeeper. It's a sort of urban version of The Secret Garden in which the girl unlocks her uncle's rigid heart—and gets the tyrannical housekeeper fired—with the aid of a mischievous working-class boy and a pregnant stray cat. The first story gets off to a slow start, with a lot of nostalgic folderol about the traditional trappings of an English Christmas, but once Westall's storytelling kicks into high gear the book is enormously involving. Westall doesn't pander to young readers—they have to be able to translate his Britishisms and have some sense of history- -but the end result is richly detailed, atmospheric, and deeply imagined fiction. (Fiction. 8+)

Pub Date: Oct. 1, 1994

ISBN: 0-374-31260-5

Page Count: 160

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1994

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2024


  • New York Times Bestseller

Next book

IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2024


  • New York Times Bestseller

Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

Next book

THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

Close Quickview