Read Bolaño, and you’ll understand what he means.
Exile, alienation and a fatalistic sense of the impermanence of human connections and relations dominate this collection of 14 stories written by the late (1953–2003), brilliant Chilean author.
Bolaño (who sometimes appears in the stories, identified as “B.”) was a leftist intellectual haunted by lingering fallout from his country’s political catastrophes (notably, a 1973 military coup), including destroyed marriages and families, betrayed ideals and unrealized dreams. His stories—which echo the allegorical terseness of his recently translated novels By Night in Chile (2003) and Distant Star (2004)—phlegmatically record such unconsummated or indistinct experiences as an unnamed writer’s friendship through correspondence with an older writer whose burden of hardships is too complex to be shared (“Sensini”); a failed poet’s compensation for his artistic ineptness in an imaginative escape from reality (“Enrique Martin”); a Chilean exile’s gradually revelatory encounter with a countryman unmanned and enervated by the annihilation of his hopes for a more just society (“Days of 1978”); and a minor writer’s small triumph when he acts as “secretary, messenger, or valet” to more accomplished contemporaries during the perilous days of the French Resistance (“Henri Simon Leprince”). A few stories (“Phone Calls,” “Anne Moore’s Life”) misfire or fail to play to Bolaño’s strengths (the uncharacteristically comic “Gómez Palacio,” the fragmentary autobiographical piece “Dance Card”). But at his best, he echoes the elliptical precision of Borges, Kafka, Mexican surrealist Juan Rulfo and the great prestidigitator Julio Cortázar—notably, in the superb title story, which portrays a young intellectual’s Acapulco vacation with his father as a slowly dawning apprehension of approaching death; and the subtly exfoliating “Dentist,” in which exchanges of stories and a vision of how they’re made confirms for its narrator (what he has already intuited) that “We never stop reading, although every book comes to an end, just as we never stop living, although death is certain.”
Read Bolaño, and you’ll understand what he means.Pub Date: May 31, 2006
ISBN: 0-8112-1634-9
Page Count: 256
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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