Not an essential critical resource, but one offering many pleasures.
A wide-ranging scholar ponders the manifestations of ancient gods in modern literature.
Calasso (Ka, 1998, etc.) does not attempt to cover his topic comprehensively. He focuses instead on what he terms “absolute literature,” those “most audacious and demanding” works “that leave the ancient pattern of genres and prescribed patterns far behind . . . forever abandoned in a flight toward a knowledge grounded only in itself and expanding everywhere like a cloud, cloaking every shape, overstepping every boundary.” These literary epiphanies are to be found in works as various as Nabokov’s Lolita, the lyrics of the German poet Hölderlein, Nietzsche’s notebooks, and the essays of Mallarmé. The seven essays were originally delivered as a lecture series at Oxford University, and the effect is rather like eavesdropping on a seminar in progress: the aphorisms, connections, and fleeting allusions come thick and fast. A critic in the belles-lettres tradition, Calasso makes large statements with great authority but little substantiation, rather than engaging in sustained close reading or reconstructing literary history. Like Harold Bloom, he apparently regards individualism and innovation as the only criteria of literary value, so that every text is praised for its originality, with “suddenly,” “for the first time,” “an abrupt turning point,” and the like peppering every chapter. Within the limitations of the approach, however, he comes up with charming observations and remarkable flashes of insight, including a fascinating discussion of Isadore Ducasse’s bizarre 1869 collection of poems, Les Chants de Maldoror, “the first book written on the principle that anything and everything must be the object of sarcasm,” uncannily anticipating both postmodern fiction and slasher movies. In the two most powerful essays, “Mallarmé in Oxford” and “Meters Are the Cattle of the Gods,” magnificently detailed analyses of poetic form offer ample compensation for the sweeping pronouncements, and Calasso’s delight in the textures of language and imagery pervades the text.
Not an essential critical resource, but one offering many pleasures.Pub Date: March 21, 2001
ISBN: 0-375-41138-0
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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