by Roberto Calasso ‧ RELEASE DATE: March 9, 1993
A stunning journey back to ancient Greece with Italian author Calasso, who, in a first US publication, takes apart the old myths to discover the birth of history and modern thinking amid timeless patterns of behavior. Ranging as widely as one of the peripatetic Olympian gods he describes, Calasso moves effortlessly between the legends and the poets and writers—like Homer, Ovid, and Sophocles—who gave their own spin to the old stories. He begins with the rape of Europa, and ends with the marriage of Cadmus to Harmony. The first story reveals the Olympians under Zeus, already withdrawing from the world, manifesting themselves only in forcible interventions like rape; the last marks the final occasion when the gods and men had ``been on familiar terms; after that remote time, to invite the gods to one's house became the most dangerous thing one could do, a sign of the now irretrievable malaise between heaven and earth.'' As Calasso recounts the classic stories in between these two events, he not only divides the relationship between man and the gods into three stages—the third being the modern one of mutual indifference—but also gives accessible lessons on ancient history, religion, and philosophy. Central to the narrative is the death of Odysseus, which ends the ``long chain of stories that predate history. After Odysseus, our life without heroes begins; stories are no longer exemplary but are repeated and recounted. What happens is mere history.'' Action, the hurly-burly of man encountering gods in extraordinary ways and stranger places, is ended with Cadmus' gift of the alphabet to the Greeks. Henceforth, religion—the gods—``will be experienced in the silence of the mind, no longer in the full and normal presence.'' But the meanings of the myths linger on—a myth, Calasso asserts, ``is the precedent behind every action, its invisible, ever-present lining.'' Here, the past not only comes vibrantly alive but connects to the present in a virtuoso display of scholarship and insight. A remarkable feat.
Pub Date: March 9, 1993
ISBN: 0-394-58154-7
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
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by Roberto Calasso ; translated by Tim Parks
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by Roberto Calasso translated by Tim Parks
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by Roberto Bazlen ; edited by Roberto Calasso ; translated by Alex Andriesse
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Stephen Batchelor ‧ RELEASE DATE: Feb. 18, 2020
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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