An uneven but nevertheless worthy effort.
This installment of the Let’s Talk About You and Me series tackles a wide range of topics related to human diversity.
Opening text affirms everyone’s uniqueness: “All around the world there are people—billions of people. But there is only one of you,” while Westcott’s art depicts ethnically diverse families entering a theme park called Funland. There are interracial families, a child using a wheelchair, a woman wearing a headscarf, and a two-dad family. One interracial family, including a black mother, white father, two children, and a baby appears in every spread, and the children’s speech-balloon conversation punctuates the narrative text’s statements about hair texture, skin color, eye shape, languages, dress, stature, etc. While the intention is clearly inclusive, some phrasing may give readers pause: “People’s bodies are mostly the same—except for the parts that make them a girl or a boy, or a man or a woman,” for instance, ignores increasing awareness of intersex bodies and transgender identity. Illustrations also do little to present diversity in body shape and size, since the majority of people depicted are slim. Readers are invited to consider the pain caused by “saying mean things,” which pushes beyond surface celebration of diversity. This leads to a closing reiteration of each person’s uniqueness while also emphasizing that “we are more the same than we are different,” especially with regard to feelings. [Note: Subsequent printings of the book replace the sentence "People's bodies are mostly the same—except for the parts that make them a girl or boy, or a man or a woman" with the following text: "People’s bodies are mostly the same except for the private parts we are born with. Those parts are called a vagina or a penis.”]
An uneven but nevertheless worthy effort. (Informational picture book. 4-7)Pub Date: March 22, 2016
ISBN: 978-0-7636-6903-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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