Intriguing premise and spooky setting don’t make up for lackluster storytelling.
A young doctor’s surgical residency at New York’s iconic Bellevue Hospital mires him in murder, mystery, and mayhem.
Cook, the acclaimed founder of the medical-thriller genre, begins this standalone novel with a horrifying scene, set in 1949, in which a Bellevue doctor performs a lobotomy on an 8-year-old girl who is being treated for behavioral issues. The scene and the setting should be the perfect start to what could be a cringe-inducing horror story, but a weak, cliche-riddled narrative drags the novel down. Michael “Mitt” Fuller, a descendant of the doctor who performed the girl’s lobotomy, is excited to follow in the professional footsteps of four generations of Fullers who practiced medicine at Bellevue, but on day one of his residency, strange things begin to happen. Lights flicker, horrible odors come and go, surgical tools seem to have a mind of their own, patients die. Soon, he also learns that his ancestors were on the wrong side of evolving medical standards, including the now rejected lobotomy procedure, the use of anesthesia, and surgical theater antiseptics. He also sees dead people. This should be a page turner, but stilted dialogue and one-dimensional characters who can’t stop using worn out expressions such as “Good Grief,” “My Gosh,” and “Whoa!” are way too distracting, as are the descriptions of medical equipment, procedures, and illnesses that require a textbook to understand. What is interesting is the history of the centuries-old Bellevue, its architecture, and its famous patients, including Sylvia Plath and Norman Mailer. The ending, which rolls out in another perfect setting—the basement of an abandoned building—is spot on, but getting to it means slogging through page after page of dull writing.
Intriguing premise and spooky setting don’t make up for lackluster storytelling.Pub Date: Dec. 3, 2024
ISBN: 9780593718834
Page Count: 352
Publisher: Putnam
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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