Too few thrills in this thriller barely keep it on life support.
A pathology resident hunts for evidence linking a handful of suspicious suicides.
Like many of Cook's novels, this one features Laurie Montgomery, chief medical examiner for the City of New York, and her medical examiner husband, Jack Stapleton, but the main protagonist this time around is Ryan Sullivan, an autopsy-averse resident doing a month-long rotation in the CME's office. He's curious about the commonalities among a handful of deaths that are believed to be suicides and sets out to prove they're somehow connected, risking his life in the process. In a parallel plot line, we meet Hank Roberts, a former Navy SEAL turned assassin who's been hired to make homicides look like suicides for a health-care company that's bilking corporations out of millions through phony diagnostic tests that indicate their employees have cancer when they don't. While the idea of health-care companies killing troublesome patients seems farfetched, Sullivan's meticulous investigation into the deaths is one of the novel's few highlights, as are scenes explaining how toxicology, scene investigation, and autopsy help MEs and their investigators determine the manner of death. Unfortunately, stilted dialogue stuffed with clichés is a distraction from Sullivan's intriguing detective work, as are details of the bureaucratic minutiae involved in running a medical examiner's office. Since Coma was published in 1977, Cook's status as a founder of the medical thriller genre has garnered him countless bestsellers. Despite the novel's weaknesses, diehard fans may be willing to wade through them in order to spend time—albeit limited—with Montgomery and Stapleton.
Too few thrills in this thriller barely keep it on life support.Pub Date: Dec. 5, 2023
ISBN: 9780593713891
Page Count: 352
Publisher: Putnam
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.
A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.
As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.Pub Date: Sept. 9, 2025
ISBN: 9781641297264
Page Count: 352
Publisher: Soho Crime
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
PERSPECTIVES
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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