Typical Cook: lifeless dialogue, weak prose, and hokey plot, but a sound message: ambitious doctors and scheming politicians...
Public antagonists become conspirators as a medical entrepreneur performs a controversial operation on a duplicitous politician.
In an afterword, Cook (Shock, 2001, etc.) warns us that political prohibitions against embryonic stem-cell research are misinformed and will only make things worse. Here, they’re bad enough for Dr. David Lowell, a brilliant, egotistical, and bit greedy researcher who quits Harvard to found a struggling for-profit company that will, he hopes, make millions when it develops a complicated technique involving embryonic cloning that has cured Parkinson’s in mice. On Capitol Hill, meanwhile, antiabortion Senator Ashley Butler heads a subcommittee considering a bill that will ban the procedure. Called to testify before the committee, Dr. Lowell fails to persuade the senator that his technique isn’t killing babies, and Lowell is later contacted by the senator’s aide, Carol Manning, for a secret meeting. It turns out the senator has Parkinson’s and is willing to stall the bill in his committee, as well as pay hundreds of thousands in secret PAC money to Lowell and his sexy, competent lover and business partner, Dr. Stephanie D’Agostino, to perform the operation on him secretly, with two conditions: that this be done in the Bahamas at the new Wingate Clinic, and that the cloning involve DNA taken from blood residues on the Shroud of Turin. The senator offers to sponsor a bill limiting the amount of damages in lawsuits against charities—just as a New York cardinal wants in wake of the church’s sex scandals. Calls are made to the Vatican, and, while getting the sample in Turin, the doctors have their first of many brushes with danger, involving priests, Mafiosi, and other types tainted by incompetence, greed, and irrational fears. Despite all, the doctors actually pull off the operation, though Murphy’s Law takes over in ways no one can expect.
Typical Cook: lifeless dialogue, weak prose, and hokey plot, but a sound message: ambitious doctors and scheming politicians only increase the suffering that, deep down, both want to cure.Pub Date: July 14, 2003
ISBN: 0-399-14876-0
Page Count: 480
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2003
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
