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DON'T CALL ME FUZZYBUTT!

Useful, perhaps, for conflict resolution, if not ground-breaking.

Neighbors Bear and Woodpecker exchange a few choice words.

“Bear needed a lot of sleep. Two hundred and forty-three and a half days to be precise. Anything less and he turned grizzly.” However, Bear is a light sleeper, so just to make sure he’s not disturbed, he hangs signs and makes a soundproof front door out of some local trees. He drifts off to sleep—but not for long. Woodpecker is aghast to find that some of the best houses he has created with his pecking are gone. The trail of debris leads to Bear’s door. Woodpecker pecks up a ruckus, and a cranky Bear calls him a “featherbutt.” The woodland gossips are a-twitter, and it gets back to Woodpecker. Woodpecker is initially angry but then begins to sniffle (while continuing to peck), which annoys Bear and leads to another angry exchange. Woodpecker calls Bear “fuzzybutt,” now hurting Bear’s feelings. After a mutual apology, the erstwhile enemies become friends, working together to make sure Bear gets his sleep and Woodpecker can create his houses some distance away. Batori’s slightly anthropomorphized illustrations of chunky forest creatures suit Newman’s tale of name-calling and reconciliation. Listeners likely won’t settle their own arguments so quickly, but they can try to follow Bear and Woodpecker’s example. And they will love the many iterations of butt. (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 57.1% of actual size.)

Useful, perhaps, for conflict resolution, if not ground-breaking. (Picture book. 5-9)

Pub Date: March 15, 2021

ISBN: 978-1-5341-1073-1

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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