by Robin Pulver & illustrated by Lynn Rowe Reed ‧ RELEASE DATE: March 1, 2011
The team that taught students about nouns and verbs, punctuation and silent letters now tackles suffixes…almost literally. On the last day of school, when Mr. Wright announces, “After lunch and our read-aloud, we’ll tackle word endings,” the anthropomorphized suffixes head to the gym to get into shape for the coming melee. Meanwhile, the kids’ atrocious behavior in the lunchroom leads Mr. Wright to skip the read-aloud and go directly to the lesson. Except the lesson has disappeared. Threatened with no summer vacation unless they find the word endings, the kids hang (suffix-less) wanted posters all over the school. Reassured of the students’ good intentions, the suffixes leave clues for them to decode and thus find them, saving not only the kids’ educations but summer vacation as well. As in the previous titles, the words in the text are printed in two colors, allowing the suffixes to stand out from the rest of the text. Reed’s now-signature acrylic-and-digital illustrations are as quirky and colorful as ever. Backmatter includes a page of spelling rules for adding endings to words and a page delineating some different suffixes and how their additions change the root word. While this may not be as strong as the previous titles from this duo, still it is a good addition to their language-arts series. (Picture book. 6-8)
Pub Date: March 1, 2011
ISBN: 978-0-8234-2296-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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by Laurie Keller ; illustrated by Laurie Keller ‧ RELEASE DATE: Sept. 20, 2016
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early...
Elephant and Piggie make an appearance to introduce the first in their new series, an egalitarian introduction to superlatives.
Each one of seven blades of talking grass—of a total of eight—discovers that it is superb at something: it’s tallest, curliest, silliest, and so forth. The humor aims to appeal to a broad spectrum. It is slightly disturbing that one being eaten by purple bugs is proud of being the crunchiest, but that will certainly appeal to a slice of the audience. The eighth blade of grass is grappling with a philosophical identity crisis; its name is Walt, a sly reference to Whitman's Leaves of Grass that will go right over the heads of beginning readers but may amuse astute parents or teachers. Tension builds with the approach of a lawn mower; the blades of grass lose their unique features when they are trimmed to equal heights. Mercifully, they are chopped off right above the eyes and can continue their silly banter. Departing from the image of a Whitman-esque free spirit, Walt now discovers he is the neatest. Lots of speech bubbles, repetition, and clear layout make this entry a useful addition to lessons on adjectives and superlatives while delivering a not-so-subtle message that everyone is good at something. Elephant and Piggie's final assertion that “this book is the FUNNIEST” doesn't necessarily make it so, however.
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early reader. 6-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4847-2635-8
Page Count: 64
Publisher: Hyperion
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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Awards & Accolades
Our Verdict
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New York Times Bestseller
Caldecott Honor Book
by Brendan Wenzel ; illustrated by Brendan Wenzel ‧ RELEASE DATE: Aug. 30, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Awards & Accolades
Our Verdict
GET IT
New York Times Bestseller
Caldecott Honor Book
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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