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WHAT COLOR IS A KISS?

Name: WHAT COLOR IS A KISS?
Author: Rocio Bonilla
ISBN: 978-1-58089-739-6

by Rocio Bonilla ; illustrated by Rocio Bonilla ‧ RELEASE DATE: Dec. 6, 2016

Likely to be a kiss for artists-in-training but a miss for others.

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A little girl who knows her mind when it comes to what she likes is stymied when she ponders the color of a kiss.

Monica likes riding her bike, strawberry cake, and her mother’s stories, but what she loves is painting. She’s painted all sorts of things in all kinds of colors, but she’s never painted a kiss. What color is a kiss? Subsequent double-page spreads consider the colors in turn: red, green, yellow, brown, white, pink, blue, and black/gray. But there are good and bad things in each color: spaghetti-sauce red is the color of anger and people don’t give kisses when angry, and while her favorite cakes are pink, Monica does not like princesses or fairies (the black-haired white girl is dressed all in black and white). In the end, Monica asks an expert: her mother. The wordless response fills the final spread with rainbow-patterned and -colored hearts. But while sweet, this answer may leave concrete-thinking readers without closure. In each of the color-dedicated spreads, almost everything is pictured in the featured hue, sometimes even Monica herself. Bonilla’s choices are all over the map: Monica doesn’t like vegetables, most of which are green (she covers her mouth as if about to throw up in one picture), and the brown spread features chocolate, fall leaves, and dog poop.

Likely to be a kiss for artists-in-training but a miss for others. (Picture book. 4-8)

Pub Date: Dec. 6, 2016

ISBN: 978-1-58089-739-6

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S FAMILY

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IN THE NEIGHBORHOOD
by Rocio Bonilla ; illustrated by Rocio Bonilla ; translated by Maya Faye Lethem

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BABY BELLY
by Patricia Martin ; illustrated by Rocio Bonilla

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SLEEPY TIME
by Patricia Martin ; illustrated by Rocio Bonilla

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HANSEL AND GRETEL

by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025

Menacing and most likely to appeal to established fans of its co-creators.

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Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

Categories:

CHILDREN'S FAMILY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)