A skillful mixture of buoyant farce and wrenching drama from the popular Irish author (The Commitments, 1987; Booker-winner Paddy Clarke Ha Ha Ha, 1993, etc.). Doyle's protagonist and narrator, Paula Spencer, will remind readers of the hilariously feisty, foulmouthed women of his earlier books. Indeed, Paula's a match for any of them as she recalls episodes from her experiences as competitive sibling and worldly-wise schoolgirl, moonstruck young wife, and, finally, embattled mother. And the core of her adult life is her terrified relationship with abusive husband Charlo, a charismatic monster whose unpredictable swings between tenderness and violence keep the hopeful Paula in a constant state of submissive confusion. ("He loved me and he beat me. I loved him and I took it. It's as simple as that, and as stupid and complicated.") Charlo's uncontrollable thuggishness eventually removes him from her life for good, but that isn't the end of her trouble. Doyle's masterly use of jabbing, staccato sentences and emotional repetitions produces a nervous intensity that exactly reproduces how his heroine—and she is that, no other word will do—lives out her imperilled days. The novel is filled with sharply observed, amusingly distinctive characters, including even Paula's young children. Hardly any other writer alive can create families and neighborhoods full of mutually involved people with such easy authority. And nobody alive uses filthy language with such exuberant expressive virtuosity. Only in the closing pages, when Doyle's empathy with his character's plight takes on some of the righteous quality of a case study, does the grip falter. Even so, few readers will be able to look away even for a moment. Some may object that Doyle, having perfected a winning formula, is merely writing the same raucous story of small-town Irish life over and over. Well, let them. It's a bloody wonderful story.
Pub Date: April 1, 1996
ISBN: 0-670-86775-6
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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