A nuanced physical and emotional landscape aimed to capture experienced readers but likely to snag the occasional neophyte...
An old man on an island and a young child in a city form a connection through messages in bottles and ships on paper in Brazilian Coelho's wordless, dreamlike spectacle.
An elderly white man wakes, alone but for a few avian companions, and discovers a blank piece of paper in a bottle washed up on the shore of his island home. After some consideration, he pencils on it an intricate drawing of a ship, returns the paper to the bottle, and tosses it back into the waves. Elsewhere, ensconced in an urban landscape, a dark-haired, pale-skinned child comes home to find an unmarked envelope on the doorstep—inside is the old man's drawing. From here, a journey commences—maybe in reality, maybe in a dream—bringing the two characters together in a brief, touching meeting. As with all wordless picture books, this narrative is a negotiation between illustrations and readers. Are these characters grandfather and grandchild crossing space? Future and past versions of the same person transcending time? Or perhaps simply a pair whose loneliness is eased by dreams born of isolation? With spreads defying the barrier of the gutter, varied visual perspectives, and expertly paced page turns, Coelho's methodical cacophony of highly detailed visual invention successfully (if narrowly) avoids miring the narrative momentum in its artistry.
A nuanced physical and emotional landscape aimed to capture experienced readers but likely to snag the occasional neophyte as well. (Picture book. 8 & up)Pub Date: Jan. 31, 2017
ISBN: 978-0-88448-528-5
Page Count: 80
Publisher: Tilbury House
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
A spectacular return to a magical world.
Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.
Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.
A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)Pub Date: Sept. 11, 2025
ISBN: 9780593809907
Page Count: 304
Publisher: Knopf
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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