Since the publication of Writing Degree Zero in 1953, Roland Barthes has been creating a body of criticism that alters in an absolute sense our traditional notion of what literature—and indeed what writing itself—is. As a semiologist—a practitioner of the science of signs and symbols—he stands outside language and outside meaning to pick out the codes of which they are composed. He has always been difficult, but his style has become increasingly quirky and self-absorbed over the years. The theme which unites the three writers he is examining here is that all are "Logothetes," or founders of languages; and it may be fairly said that Barthes himself is bucking for that status. Although these pieces were originally published separately, they were intended to join each other in a book. The modus operandi of his critique of the evil writer, the great utopian and the Jesuit saint is to strip each of his social context and hortatory intention. Each is isolated into the system that is the Text, the Barthes ideal. The effect is to make them ludicrous and lovable by exposing the dependency of their ideas, their world, on words and rhetorical structures. Under Barthes' ultra-violet scrutiny, they are charming fiddlers. There are actually two pieces on Sade, which frame the meditations on Fourier and Loyola, and these comprise the liveliest discourses. Sade, the libertine, also provides more "readerly" pleasure—Barthes' criterion of excellence and apparently also his own goal, since he skips along merrily from one apercu to the next like a man jotting down his dreams the morning after. Not everyone will be willing to trip after him, but this perversely poetic critic does generate a great deal of electricity.
Pub Date: March 15, 1976
ISBN: 0520066286
Page Count: 196
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: March 1, 1976
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
