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THEY FIGHT LIKE SOLDIERS, THEY DIE LIKE CHILDREN

THE GLOBAL QUEST TO ERADICATE THE USE OF CHILD SOLDIERS

A retired Canadian general’s impassioned call for action to eliminate the world’s most “cost-effective and renewable weapon system in existence today”: the child soldier.

Dallaire (Shake Hands with the Devil: The Failure of Humanity in Rwanda, 2004), founder and head of the Child Soldiers Initiative (CSI), writes that he first encountered child combatants while leading the international peacekeeping mission in Rwanda in 1993. Ever since, he has been haunted by the fact that some 250,000 children—40 percent of them girls—are being robbed of their innocence while serving with government and rebel forces in world conflicts. All under 18, and some as young as eight, child soldiers have fought in more than 30 conflicts in Africa, the Middle East, Europe and other regions. While human-rights conventions and laws prohibit such use of children, writes the author, little has been done to enforce them. Dallaire’s troubling book, written out of evident frustration over the world’s failure to act, draws on six years of CSI research. He writes that children who grow up poor, undernourished and often orphaned in areas of conflict are regularly recruited by ruthless adult military leaders offering money, drugs, uniforms, chants and rallies that give a sense of belonging. The children are readily available in overpopulated countries, and lightweight assault rifles and other easy-to-use weapons can be obtained for them without difficulty. Girls, often overlooked in discussions of this topic, are valued not only as combatants but also as cooks, nurses and sex slaves. After indoctrination and grueling training, the children become vicious frontline killers. Three chapters are fictional narratives in which Dallaire conjures the horrors of soldiering from a child’s point of view. The author outlines steps to prevent the recruitment of children for warfare and urges readers to help create the political will to act against recruiters and arms dealers. A blunt, angry cry: “What has humanity created?”

 

Pub Date: May 24, 2011

ISBN: 978-0-8027-7956-4

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 15, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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