Koertge (Brimstone Journals, 2001, etc.) joins the ever-swelling ranks of writers experimenting with novels-in-verse with this journal of a teenaged jock who develops a taste for writing poetry while laid up with mono. Confined to the house, and mostly to bed, Kevin starts sneaking peeks into a prosody manual of his father’s, and trying his hand at different poetic forms, from haiku (“Frogs, frogs, frogs, frogs, frogs / Frogs, frogs, frogs, frogs, frogs, frogs, frogs, / Frogs, frogs, frogs, frogs, leaves”), sonnet, and pantoum (look it up), to ballad, sestina, blank and free verse. He discovers along the way that he likes the way poetry focuses language, and also makes it easier to express feelings—particularly about the loss of his mother. Reflectively tracking his slow recovery, Kevin also chronicles his struggle to regain a place in his baseball team’s starting lineup, and a developing relationship with Mira, a new friend who doesn’t laugh off his literary efforts. In the end, although his life is reshaped by his long illness, the future (except on the playing field) still looks bright. Kevin’s mix of lame and not-so-lame poems effectively convey realistic learning and recovery curves—and may also plant the idea in receptive readers that it’s okay for guys to write. (Fiction. 10-12)
Pub Date: March 1, 2003
ISBN: 0-7636-2116-1
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)
Pub Date: Oct. 1, 1995
ISBN: 0-385-32175-9
Page Count: 210
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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