Gabriel, 14, and his dad Sumner fly to L.A. for the summer, leaving his newly divorced mom on a bicycle trip with her boyfriend; Sumner, second-grade teacher and author of a children's book about Timmy, an otter, has a film contract. Gabriel is mortified by the way Timmy, in puppet guise, invades every conversation, private or public; he's also apprehensive about adapting to California after staid Missouri. Indeed, the other denizens of their condo are a touch bizarre: Cassandra, a roller-blading psychic; gentle Mr. Palmer, an elderly nudist widower; Mona, who acts in commercials, and her camcorder- wielding daughter Tess, whose scintillating repartee is as relentless—and as genuinely comical—as Timmy's. What Gabriel learns, in the end, is that people are people, despite the ambience and facades. Meanwhile, there's a rather long getting- acquainted time, effectively buoyed by the offbeat, sympathetically drawn characters, remarkably imaginative imagery and witty dialogue, and the warming relationship between Tess and Gabriel (caught kissing in the garage, their innocence is real, their parents' conservative caveats refreshing). Like Zindel, Koertge revs up the fantastic high jinks toward the end; then, he closes with his own generous brand of informed reconciliation between parents and children. Another strong showing from a fine author; more conventional and realistic than Francesca Block's books about L.A., and it makes a rewarding comparison with them. (Fiction. 12-16)
Pub Date: Oct. 1, 1992
ISBN: 0-316-50104-2
Page Count: 177
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...
Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly.
Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together.
The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)Pub Date: May 5, 2009
ISBN: 978-1-4169-6823-8
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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