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SLIGHTLY FOXED--BUT STILL DESIRABLE

Satirical artist, cartoonist, and wit Searle is also, alas for him, a bibliophile. And that has made him dependent on booksellers' catalogues, some of which have made Searle a sucker. ``Ordering from a bookseller's catalogue without speaking the specialist language,'' he writes, ``is about as dangerous as trying to chat up the promised-in-marriage daughter of a Corsican tax inspector, and the retribution about as swift.'' And so, to clarify matters, Searle offers a cartoon for each of a variety of obscure bookseller's terms. ``Numerous critical marginal notes in a contemporary hand'' is illustrated by an enraged philosophe, wearing what appears to be some 18th-century equivalent of baseball spikes, leaping on a mangled book. Some legends, like ``Lovingly thumbed by former owner'' and ``Unwashed, with only slight marginal soiling,'' are illustrated with images of people rather than books- -in these cases, suitably disheveled-looking people. Searle, with a penchant for placing legs where arms should be and attaching hands to ankles, draws like Dr. Seuss for grown-ups. At the end is a text-only glossary, but those wishing for straight answers should know better. Searle defines ``Tail-edge shaved'' as ``A book's bottom adjusted to fit a high cut bathing costume.''

Pub Date: Dec. 1, 1994

ISBN: 0-285-62945-X

Page Count: 128

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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