Pickiness aside, this is a clever, buoyant look at many children’s favorite relative.
A bouncy rhyme delivers a warm, light-hearted look at all kinds of grandmothers.
Nadeau chooses cozy backgrounds in pale greens and peachy pinks to highlight the humorous antics, superior talents and loving gestures of these adoring ladies. Known as Savta or Abuela or Baba or Daa-dee-maa, these grandmas from all cultures gab on park benches, balance in yoga poses, ride bikes, knit, bake and go birding. Schotter also includes a flashback to what these wonderful women did when they were younger, whether it be dancing to rock and roll or marching for equal rights. There is also a touch of the stereotypical: “There are nagging grandmas and bragging grandmas, / some noisy, some purry. / But no matter the grandma, / they all seem to worry!” Yet “when I need to know, / who she loves so, / I look in her eyes…” The ultimate message is that grandmas most enjoy spending time with their beloved grandchildren—and that “just like we do, they need to know, / who it is that loves them so.” This book has obvious uses as a discussion starter about family members and the roles they play. A glossary of Grandma in different languages at the beginning of the book is particularly helpful but would be more so if pronunciations were included.
Pickiness aside, this is a clever, buoyant look at many children’s favorite relative. (Picture book. 3-5)Pub Date: March 1, 2012
ISBN: 978-0-8037-3714-3
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 17, 2012
Kirkus Reviews Issue: April 1, 2012
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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