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ESCAPE IN TIME

MIRI'S RIVETING TALE OF HER FAMILY'S SURVIVAL DURING WORLD WAR II

An exciting, distressing, and ultimately inspiring novel of hardship and family.

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Lowenstein-Malz, in this middle-grade novel, tells the story of an Israeli girl discovering the history of her grandmother’s family.

Growing up in modern Israel, it never occurred to 12-year-old Nessya that her relatives had survived the Holocaust; it wasn’t something that was ever discussed. When she hears a rumor from a friend that her own grandmother, Miri Eneman Malz, is a survivor of that era, Nessya first attempts to covertly investigate her grandparent’s apartment, searching for letters or documents that might explain her past. When her unsubtle plan is discovered, Miri avoids Nessya for two whole weeks. But when Miri finally comes to visit, she brings the very documents that Nessya sought. The letters and diary entries detail Miri and her family’s many harrowing escapes as they fled Nazi-occupied Hungary during the Holocaust. As Nessya reads over the documents, she learns about the heartbreaking fate of Miri’s Jewish neighbors, who couldn’t foresee the coming doom; about the kindness of a few helpful gentiles; and about her grandmother’s parents and sisters, whose courage and ingenuity delivered them from genocide. The experience gives Nessya new insight into her own history and a glimpse into the pain and fortitude of her indefatigable grandma. Deftly translated from the Hebrew by Frankel and accompanied by lovely portrait illustrations by McGaw, Lowenstein-Malz’s prose is simple and elegant, bearing readers smoothly through the story’s multiple narrative layers. Befitting the book’s young audience, the author doesn’t concentrate on the subject matter’s more gruesome aspects, although she doesn’t whitewash the crimes and degradations, either; instead, she focuses on the luck and triumphs of the Eneman family and their cloak-and-dagger journey out of occupied Europe. She imbues her characters with great humanity, and many sections are heart-rending; one, in which a butcher named Yankel receives a postcard from his brother in the Bergen-Belsen camp, may bring tears to readers’ eyes. Such tragedy aside, the novel is an immersive page-turner, and readers of any age will find themselves flipping forward to see how the story ends.

An exciting, distressing, and ultimately inspiring novel of hardship and family.

Pub Date: Feb. 28, 2015

ISBN: 978-0990843030

Page Count: 176

Publisher: MB Publishing

Review Posted Online: March 23, 2015

Kirkus Reviews Issue: May 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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